Frédéric Forest is an internationally renowned multidisciplinary artist whose work bridges the realms of art and design. His journey began in the creative fields, working with luminaries like Erwan and Ronan Bouroullec before co-founding the Forest & Giaconia studio with Clémentine Giaconia. Together, they craft furniture and interiors that reflect a refined balance of form and function.

Drawing has been a lifelong practice for Forest, a skill he nurtured since childhood while he grew up with his two sisters in Annecy, in the French Alps and which now manifests in his sensitive and elegant creations. Forest’s work has been showcased in prominent exhibitions, such as Art Basel Miami, while collaborations with iconic brands like Chanel, Hermès, and Adidas further underscore his artistic influence.

Beyond his design practice, Frédéric’s dedication to drawing has evolved into an artistic voice marked by sensitivity and grace. His creations, whether on paper, in ceramics, or in furniture, carry a timeless, introspective quality that resonates deeply with those who encounter them. Forest’s home is a living reflection of his artistic sensibilities, filled with objects that tell stories about his life, relationships, and creative journey. Among his possessions are pieces he designed with Clémentine Giaconia, including a lamp and a chair with off line shapes. There are also this armchair inspired by the natural curve by The Audo, and a ceramic candle created by Clémentine Giaconia for Grammatical—a functional object imbued with their design philosophy, set to launch in 2025. 

His living space is a curated mix, from IKEA staples to rare finds, illustrating an appreciation for both the ordinary and the unique. A collection of books including one of Dries Van Noten  that he frequently consults, and a stereo system, remnants of a previous chapter in his life, coexist with paintings by his teenage daughter, whose magazine-covered walls add a youthful vibrancy to their home. 

Forest’s objects are not merely decorative but carry the weight of memory—his father’s camera, for instance, is a cherished relic, used to capture souvenirs during the pandemic he spent in Brittany. A turtle figurine gifted by his grandma stands on the fireplace and brings him back straight to his childhood. Each item feels like a piece of his personal history, with layers of meaning that extend beyond their physical presence.   

Forest’s home and creative practice are inextricably linked. The fluidity between his work and living space speaks to his belief in the intimate relationship between art and life. A forthcoming book about Tokyo and the launch of a magazine exploring themes of body and mind highlight his endless curiosity and his ability to adapt his artistry across mediums. Yet, it is within the quiet corners of his home—amid the ceramics, books, and carefully placed furniture—that his story feels most tangible. For Forest, home is not just a space but an extension of his creative identity. It is where his hands, like extensions of his vision, continue to craft and reimagine, blending memories and objects into a narrative of beauty and depth. His home reflects his philosophy: that art and design, at their best, are deeply personal and profoundly human.